Southeast Missouri State University Press

Faulkner and Hurston

Edited by Christopher Rieger and Andrew B. Leiter

Publication: June 2017


Backwoods Modernism: Primitive Portraiture in Faulkner and Hurston

John Lowe


Screwball Curves and Blues Licks: Hollywood Comedy and African American Music in Hurston and Faulkner

Tim A. Ryan


Performing Southernness in Faulkner’s The Sound and the Fury and Hurston’s Dust Tracks on a Road

Patricia Bradley


Telling the White Man: Decoding the Gendered Blues and Domestic Violence in Hurston’s “Sweat” and Faulkner’s “That Evening Sun”

Ren Denton


“You got tuh go there tuh know there”: Reading Race, Gender, and the “Womanshenegro ” in the Novels of William Faulkner and Zora Neale Hurston

Eden Wales Freedman


Neither Separate Nor Equal: Not-so Tragic Mulattos in Light in August and Jonah’s Gourd Vine

Christopher Rieger


To Live a “Black” Life: Hurston’s Their Eyes Were Watching God as Source for Faulkner’s The Wild Palms

Andrew B. Leiter


Faulkner’s As I Lay Dying and Hurston’s Their Eyes Were Watching God: An Ecofeminist Reading

Shinya Matsuoka


Language and the Volcano: The Haitian Revolution and Historical Allegory in Faulkner’s Absalom, Absalom!

John Padgett


Interrogating Space: The Country Store in William Faulkner’s Absalom, Absalom! and Zora Neale Hurston’s Their Eyes Were Watching God

Sidonia Serafini


Faulkner, “Cathay,” and Questions of Global Imperialism

Eiko Owada


Old Boundaries and New Orders: Contemporary Novelists and Faulkner’s Dysfunctional Families

Terrell Tebbetts

Paperback, $15.00
ISBN: 978-0-9979262-1-7

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